Rembrandt is one of the most famous Dutch artists to have ever lived. Most people have heard about him and his name.
Rembrandt is known to have studied under two leading art masters. The first was Jacob van Swanenburgh and the second was Pieter Lastman. There is a chance he also spent a few months studying under Jakob Pynas. We know that he painted together and was influenced by Jan Lievens.
Artist Masters That Rembrandt Studied Under
From about 1620 to 1624, Rembrandt studied as an artist, and he had two masters he trained with in succession.
What is unusual about Rembrandt is that, unlike many young artists during his day, he did not go to Italy to study under an Italian master to learn about art. Instead, he chose to do all of his artistic study in Holland.
We do not know the whole reason for this; it could have been a financial reason, that he did not have the money to go to Italy to study. Some felt that Rembrandt could learn all he needed in Holland without traveling and living in Italy. This makes Rembrandt very unique compared to many other artists during his time who traveled and studied under Italian masters in Italy.
Rembrandt’s First Art Master Was Jacob van Swanenburgh

Rembrandt’s frist art master was Jacob van Swanenburgh (1571-1638). It was thought that Rembrandt studied under van Swanenburgh for at least three years. Van Swanenburgh must have taught him the basic skills and the knowledge necessary for his profession.
Van Swanenburgh was a specialist in architectural pieces and scenes of hell in the underworld. This type of painting called for skills and painting of fire and its reflection of the surrounding objects. During Rembrandt’s time, knowing how to paint the hell and fire paintings was considered a distinct and demanding skill.

Rembrandt’s early exposure to this type of hell in fire paintings and the reflection that was needed with the surrounding objects led to his abiding interest in the effects of light on his paintings.
Rembrandt’s Second Master Was Pieter Lastman

Rembrandt’s second teacher or art master that he studied under was Pieter Lastman (1583-1633). Lastman lived in Amsterdam, and we believe that Rembrandt stayed with him and worked underneath him for six months.

During this time, Lastman was well known as a history painter. He must have helped Rembrandt gain all the knowledge and skills necessary to master historical paintings.
Historical paintings involve placing various figures from biblical, historical, methodological, or allegorical scenes into what could be very complex scenes. These paintings were intricate and required a great deal of skill and knowledge.
In the 17th century, historical painting held one of the highest positions for painters because it required a complex command of all subject matters, from the landscape to the architecture to still life painting to drapery to animals to human figures to all types of different postures and positions expressions and costumes.
In other words, to be a historical painter, you had to master almost all types of art and painting and be able to put them together into one single painting eloquently.
Jakob Pynas As Rembrandt’s Teacher
One biographer Arnold Houbraken mentioned in his 18th-century book that Rembrandt also studied under Jakob Pynas (1592 – 1650). Arnold Houbraken (1660 – 1770) was a Dutch painter and writer who is mainly remembered as the biographer of the Dutch Golden Age painters, including a biography on Rembrandt.
This has not been able to be ultimately confirmed, but it is possible that Rembrandt did study some historical paintings under Jakob Pynas.

It is thought that Rembrandt studied with Jacob Pynas in his workshop for a few months after his six-month apprenticeship with Peter Lastman ended.
Influence Of Jan Lievens On Rembrandt’s Art

It has felt that the Dutch artist Jan Lieven also impacted Rembrandt and his style during his years of training. Lieven and Rembrandt were contemporaries, but as Lieven was considered a child prodigy, he was already well established by the time Rembrandt started his art study and training.

Historians only know that Lieven and Rembrandt worked closely together for some years after about 1625, but many believe their actual association started much sooner.
No traces of Rembrandt’s student exercises have survived, so we do not have firm documentation if he also studied under other masters.
Rembrandt did not study under any Italian artist, nor did he travel to Italy as many artists did during his time. All his artistic training was done in Leiden or Amsterdam.
This makes Rembrandt a truly Dutch artist who is considered to be one of the two great artists that have ever come from Holland. The first is Rembrandt, and the second is Vincent Van Gogh.
Anita Louise Art is dedicated to art education, great artists, and inspiring others to find and create their art. We love art that uplifts and inspires. #ArtToMakeYouSmile! #ArtToMakeYouHappy!
If you are interested to see any of my art, you can find out more by clicking here. If you are interested in what inspires me and my paintings, you can discover more by clicking here.
We have a free newsletter and would love you to be part of our community; you can subscribe to the newsletter by clicking here. If you have any questions, I would be happy to talk to you anytime. You can reach me, Anita, by clicking here.
Subscribe to our Anita Louise Art YouTube Channel with great videos and information by clicking here.
Related Questions
What Are The Characteristics Of Mannerism Art?
Mannerism was an art movement filled with elongated bodies, tiny heads, and human figures in twisted forms. Perspective and proportion were unnecessary, but colors and contrasts, virtuosity, and agitated compositions were essential.
By clicking here, you can learn more by reading What Are The Characteristics Of Mannerism Art?
What Was The Focus Of Renaissance Art?
The focus of Renaissance art was on the classics of Greek and Rome, humanist philosophy, and the study of the human figure. Realism was also an essential part of renaissance art. The great artists of the Renaissance also became great anatomists and studied human beings.
By clicking here, you can learn more by reading What Was The Focus Of Renaissance Art?.
What Are The Major Periods In Western Art History?
The significant Western art history periods are defined as Prehistoric Art, Ancient Art, Medieval Art, the Renaissance, Mannerism, Baroque, Rococo, Neoclassicism, Romanticism, Realism, Art Nouveau, Impressionism, Post – Impressionism, Fauvism, Expressionism, Cubism, Surrealism, Abstract Expressionism, Op Art, Pop Art, Arte Povera, Minimalism, Conceptual Art and Contemporary Art.
By clicking here, you can learn more by reading What Are The Major Periods In Western Art History?.